Gallery & Studio Zaiß | Exhibitions & Art

Gallery & Studio Zaiß is a place where art, craftsmanship, and personal touch meet very directly in Aalen. The gallery was founded in 1986 by Sigi and Werner Zaiß and initially developed from its own printmaking studio as a producer gallery. Later, its own gallery spaces were added, the exhibition offerings were expanded, and from the original workshop idea, a clearly defined place for contemporary art emerged. Today, the gallery represents current positions from the southwest and Alsace, with a focus on painting, original graphics, objects, plastic art, and sculpture. Those who visit the address on Langertstraße experience not an anonymous large venue, but a concentrated gallery with a personal tone, changing focuses, and a long connection between studio and exhibition. This mixture defines the character of the house: approachable, artistically precise, and strongly oriented towards originality. ([galerie-zaiss.de](https://www.galerie-zaiss.de/))

Exhibitions, Artists, and Current Program

The gallery's program is focused on changing solo and group exhibitions, which according to its own website take place multiple times a year. This regularity is important because it gives the gallery a lively dynamic and shows that it is not a static showcase. The gallery works with artists whose works range from graphic density to plastic forms. The website features, among others, Rolf Altena, Andreas Amrhein, Lisa Beyer-Jatzlau, Michel Cornu, Marc Felten, Klaus Joas, Norbert Klaus, Tetsuya Kuzuhara, Werner Lehmann, Roland May, Hannes Münz, Raymond E. Waydelich, Hannelore Weitbrecht, Sigi Zaiß, and Werner Zaiß. This selection already makes it clear how broad the spectrum is: painting, drawing, caricature, collage, etching, sculpture, and object art do not run alongside each other here, but form a consciously curated overall picture. ([galerie-zaiss.de](https://www.galerie-zaiss.de/))

A good example of this mixture is provided by the 2025 documented exhibition “What Remains? What Remains.” Werner Zaiß described it as an artistic interim balance and showed his own etchings, woodcuts, linocuts, small sculptures, and garden sculptures. The report highlights that many of the works are symbolically charged, that several motifs appear in different color variants, and that the works often appear in small, concentrated formats. Political, social, and human themes also play a role in Zaiß's work, as do nature and the environment. For visitors, this means: The gallery offers not just beautiful images, but exhibitions with a stance, in which visual language and content belong together. This thematic density is characteristic of the gallery and distinguishes it from a purely sales-oriented presentation. ([schwaebische-post.de](https://www.schwaebische-post.de/ostalb/ostalb-kultur/galerie-zaiss-in-aalen-neue-ausstellung-was-bleibt-was-bleibt-94030023.html))

In addition, the gallery is not only visible locally but has also maintained its position regionally. The website documents several appearances at art Karlsruhe, including 2019, 2020, 2022, and 2023. There, the gallery presented its artists from Aalen or from its own program in a professional fair environment. This is an important signal for a gallery of this size: It works rooted locally but remains integrated into the art market and regional perception. From an SEO perspective, this is a central theme because search queries around “exhibitions,” “art,” and “Gallery Aalen” not only refer to opening hours but often also to the program, artistic orientation, and recognizability of a house. Gallery & Studio Zaiß meets these expectations with a clear thematic line. ([galerie-zaiss.de](https://www.galerie-zaiss.de/))

Opening Hours, Contact, and Visit Planning

For concrete visit planning, the official contact details are particularly helpful. The contact page lists the address Langertstraße 44, D-73431 Aalen, along with the phone number +49 (0) 7361-32990 and the email address info@galerie-zaiss.de. The regular opening hours are Thursday and Friday from 2 PM to 6 PM and Sunday from 2 PM to 5 PM, only during an exhibition; additionally, a visit by appointment is possible. This information is important for anyone who wants to visit an exhibition specifically or has a personal inquiry beforehand. In a gallery with a changing program, direct contact is often the best way to ensure that the desired works are currently on display or that a tour, conversation, or visit can take place at a suitable time. ([galerie-zaiss.de](https://www.galerie-zaiss.de/kontakt.php))

On the homepage of the website, there is also current exhibition information with slightly differing times: For the ongoing exhibition, Wed.-Fri. and Sun. 2-6 PM are mentioned. This is not a contradiction but an indication that the gallery apparently adjusts its opening hours according to individual exhibitions or seasonal windows. For visitors, this is practical because the website not only provides static basic data but also makes the currently valid times visible. So, anyone who wants to be sure should check the current homepage before their visit or quickly grab the phone. Especially in smaller, curated art venues, this flexibility is typical: Opening hours are closely tied to exhibition durations, and personal contact remains important. This creates an advantage over larger institutions with rigid structures: The visit feels more individual and closer to the respective exhibition. ([galerie-zaiss.de](https://www.galerie-zaiss.de/))

For the search intention around “opening hours,” it is also relevant that the gallery does not direct its visitors through ticket systems or complex booking processes but through a clear, personal approach. The website directly offers a visit to the gallery, supplemented by information on openings and performances at individual exhibitions. The opening hours are thus not only practical information but part of the program. Those who come to an opening often experience the exhibition opening as a social and artistic encounter; those who stop by on a regular opening day can view the works in a calm atmosphere. This connection between appointment and exhibition context makes the visit to Gallery & Studio Zaiß planable and at the same time individual. ([galerie-zaiss.de](https://www.galerie-zaiss.de/))

Directions to Langertstraße 44 and Public Transport in Aalen

The gallery is located at Langertstraße 44 in Aalen, thus at a clearly identifiable address, which is also mentioned on the official contact page and on the homepage of the gallery. The city of Aalen also lists Langertstraße as a location with the address at the corner of Langertstraße and Johann-Gottfried-Spießhofer-Ring. This is helpful for orientation because visitors can better locate the area in the city. Even though the gallery is not a classic event hall, the address is a central search term that many visitors use directly when looking for directions or location. For SEO, this exact location naming is important because it cleanly captures search queries like “Langertstraße 44 Aalen” or “Gallery Aalen directions” and clearly identifies the location. ([galerie-zaiss.de](https://www.galerie-zaiss.de/kontakt.php))

For traveling by city bus, the stop Aalen Langertstraße is particularly relevant. The published timetable shows that lines 51 and 56, among others, serve this stop and connect to Aalen ZOB. The timetable lists several departure times for Monday to Friday, Saturday, and Sunday and public holidays, making the stop a useful option for visitors who do not wish to travel by car. Especially for a gallery whose audience often comes to exhibitions, openings, or a quiet visit, a reliable public transport connection is a real plus. It facilitates spontaneous visits as well as planned appointments and makes access to the gallery independent of parking availability or inner-city traffic. ([ova.de](https://www.ova.de/files/aa-stadtbus/hst/aktuell/Aalen_Langertstr_1.pdf))

The public information pages focus primarily on address and stop. Therefore, the most reliable travel recommendation for anyone unfamiliar with the area is to enter the address precisely into the navigation system or to use the city bus stop Aalen Langertstraße. This way, one can reach the gallery area without detours and can combine the location data with the opening hours. Because the gallery is located in a developed urban area, precise orientation is more sensible than a general travel description. So anyone planning a visit should consider the address, the current opening time, and the route to the stop together. These three pieces of information form the most practical core for the search intention around “directions,” “address,” and “public transport” regarding the gallery. ([galerie-zaiss.de](https://www.galerie-zaiss.de/kontakt.php))

Studio, Printmaking, and Artistic Profile

The artistic profile of the gallery is closely linked to its own studio. According to the website, it was due to Werner Zaiß's printmaking studio that it made sense to initially operate the gallery as a producer gallery with works from the studio. Etching, woodcut, and linocut are mentioned as central techniques. This origin is crucial because it explains why the gallery continues to focus so strongly on original graphics and the material presence of art. The development from studio work to a gallery with its own spaces also shows that the house has not simply become an exhibition space but has emerged from the artistic practice itself. This background lends credibility and depth to the place because the workshop and presentation are not separated but historically interconnected. ([galerie-zaiss.de](https://www.galerie-zaiss.de/))

The current self-presentation of the gallery also remains true to this line. The website describes the gallery as a place for contemporary current art from the southwest and Alsace and emphasizes the focuses on painting, original graphics, objects, plastic art, and sculpture. In interplay with the studio, this results in a profile that does not pit different forms of expression against each other but places them equally side by side. A graphic sheet, a small sculpture, or a sculptural work are not treated as marginal phenomena here but as the core of the artistic program. For visitors, this is attractive because they not only experience technical diversity but also different attitudes and visual languages. Especially in a region like Aalen, where cultural offerings are often spread over various formats, this clear gallery identity creates a high degree of recognizability. ([galerie-zaiss.de](https://www.galerie-zaiss.de/))

The report from 2025 on the exhibition “What Remains? What Remains.” adds a thematic layer to this profile. There, Werner Zaiß is described as an artist who deals with current political and human themes, as well as nature, the environment, and personal situations. His works have been presented as precise, powerful, and characterized by symbolism; at the same time, small formats, monochrome variants, and different color versions of the same motif were at the center. Additionally, there was a public demonstration of his etching and printing techniques. This clearly shows how close the process and the result are: Not only the finished image is relevant, but also the way it is created. For a gallery with a studio background, this is a strong unique selling point because it makes the artistic process visible and offers visitors immediate access to the works. ([schwaebische-post.de](https://www.schwaebische-post.de/ostalb/ostalb-kultur/galerie-zaiss-in-aalen-neue-ausstellung-was-bleibt-was-bleibt-94030023.html))

History, Fair Appearances, and Special Features

The history of the gallery began in 1986 in Aalen and has thus grown over several decades. A report from 2025 notes that Werner Zaiß and his wife continue to work with the gallery and plan two to three exhibitions per year. At the same time, it was mentioned that participation in art Karlsruhe, which had long been part of the annual program, was removed from the regular program. This information is interesting because it shows that the gallery maintains its line but consciously adjusts the program at the same time. For visitors, this means: The gallery remains active and present, even if individual fair formats no longer hold the same significance as before. Continuity lies not in rigid repetitions but in continued exhibition activity and a clear artistic profile. ([schwaebische-post.de](https://www.schwaebische-post.de/ostalb/ostalb-kultur/galerie-zaiss-in-aalen-neue-ausstellung-was-bleibt-was-bleibt-94030023.html))

At the same time, the gallery's own website documents a noticeable presence at art Karlsruhe in several years. Among others, the fair appearances in 2019, 2020, 2022, and 2023 are mentioned there. This is not a small detail for a gallery from Aalen but an indication of regional visibility and the ability to assert itself in a professional art market environment. In practice, this means: Gallery & Studio Zaiß is rooted locally but not limited locally. The selection of artists who appear in the fair contexts shows a gallery that represents its artistic claim even outside its own spaces. This is precisely why search terms like “Gallery Aalen,” “Exhibitions,” or “contemporary art” are closely linked to the question of reputation and reach. ([galerie-zaiss.de](https://www.galerie-zaiss.de/))

Particularly noteworthy is the connection of continuity, personal touch, and programmatic openness. The gallery not only shows its own roots in printmaking but also continually incorporates different artistic positions. Press texts on the website and reports in regional media refer over the years to exhibitions with very different focuses, from graphic works to painting to sculptural positions. This creates not an arbitrary collection but a recognizable profile: Art that is concentrated, craft-precise, and thematically engaging. For visitors, this means a clear expectation. One does not come for a large event architecture but for a curated, personal, and thematically comprehensible art presentation. This combination is the true hallmark of the gallery on Langertstraße. ([galerie-zaiss.de](https://www.galerie-zaiss.de/))

Sources:

• Gallery Zaiß - contemporary current art
• Gallery Zaiß - Contact
• Swabian Post - Werner Zaiß: new exhibition “What remains, what remains”
• City of Aalen - Langertstraße
• OVA City Bus - Stop Aalen Langertstraße
• art Karlsruhe - Exhibitor List 2022