When is the opening taking place?

The opening is on Friday, April 17, 2026, at 7 PM and admission for the opening is free.

What are the opening hours for the exhibition?

According to the event page, it is open on Saturday from 1 PM to 5 PM and on Sunday from 11 AM to 5 PM. Additional times for special exhibitions are listed on the city page.

How much is the admission fee?

The admission fee is 5 Euros per person according to the official event page.

Are there guided tours or educational programs?

Information to follow. The castle regularly offers thematic tours and educational programs, concrete dates for the exhibition will be announced on-site or online.

Is the exhibition accessible for people with disabilities?

The entrance area is partially accessible, gravel paths complicate access, and the castle is not fully accessible. Accompanying persons are free according to the city page if noted in the ID.

How to get there via public transport and where to park?

Bus line 15 to the stop Rathaus Fachsenfeld, from there a short walk to the castle. Parking is available in der Steine and at the festival grounds in Fachsenfeld.

Rethinking Sculpture: Beuys, Duchamp, Uecker at Schloss Fachsenfeld

Name: FREE FROM PURPOSE – Beuys, Duchamp, Uecker & Co: Sculptural Positions from the Schiffer Collection
Start: 2026-04-18T15:00:00+02:00
End: 2026-07-05T19:00:00+02:00
Location: Schloss Fachsenfeld

Freed from Purpose: Seeing Modern Sculpture Anew – at Schloss Fachsenfeld

This exhibition promises an intense artistic experience: Under the title "FREE FROM PURPOSE", Schloss Fachsenfeld brings together sculptural positions from the Schiffer Collection – featuring works by icons such as Joseph Beuys, Marcel Duchamp, and Günther Uecker. Between the historical castle backdrop and precise curation, an exhibition atmosphere is created that sharpens the standards of modernity and re-establishes the consideration of works as an aesthetic experience.

Material, Idea, Space: When Sculpture Leaves Utility Behind

In the dialogue of material and meaning, the exhibition shows how the avant-gardes of the 20th century broke free from the idea of purpose. Beuys' expanded concept of sculpture, Duchamp's ready-made idea, and Uecker's ZERO impulse form the art-historical matrix. Shapes, surfaces, and light modulate the spatial effect; industrial materials, everyday objects, and serial gestures become carriers of meaning and historical narrative. The curatorial focus addresses the question: When does sculpture begin – and where does the object end?

Art History in the Present: Beuys, Duchamp, Uecker

Joseph Beuys’ practice connects sculpture, action, and social plasticity; his artistic stance opens the field between material poetry and societal resonance. Marcel Duchamp shifted the parameters of authorship and work status with the ready-mades – a powerful assertion that still resonates today. Günther Uecker transformed light, rhythm, and repetition into vibrating image bodies and relief-like structures in the ZERO movement. The examples of works precisely locate these positions within the epoch, art direction, and discourse.

Schiffer Collection: Profile of Contemporary Relevance

As a permanent loan in Fachsenfeld, the Schiffer Collection expands the spectrum of the foundation with significant voices of modernity. The selection of sculptural works emphasizes technical references, material cultures, and experimental procedures – an ideal terrain for art pedagogical mediation between object analysis, process, and context.

Opening and Visitor Experience

The opening on April 17, 2026, at 7 PM invites to the first tour. Afterwards, the weekend with clear opening hours offers quiet time slots for concentrated work observation. The rooms in the castle intensify the encounter with form, volume, and surface – seeing becomes touching with the eyes.

Education and Mediation

The presentation is suitable for dialogical tours, seminars, and work discussions: Terms such as readymade, installation, material iconography, and curation can be sharpened at the exhibit. The learning arc ranges from the historical avant-garde to the present – always with a focus on shifts in perspective and independent interpretation.

Conclusion: Those who want to understand how sculpture shapes thought should not miss this exhibition. Between bold ideas and precise execution, "FREE FROM PURPOSE" opens a sensual journey that deepens art understanding and awakens a desire for direct encounters – a must-see live experience.